4ed2d59 drew a pressed toggle in each theme's accent colour; the themes'
colours were not to change. Back as they were, pinned rows included. The
read button carries its state in its shape instead, as the pin does with
outline and solid: a tick when read, the envelope when not, where before
it showed the action (the envelope on a read item).
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
A sweep of all 24 theme palettes, measuring each icon's drawn colour,
found pinned in three colours: accent in the feed list, the text colour
on an item's row, and uncoloured on the toolbar, beside the title and on
the feed page. The read button showed the action (an envelope on a read
item) beside a pin showing the state. Now each toggle shows what is, with
aria-pressed, and a pressed one is the accent colour; Classic needs its
own rule, as its buttons set their colour at higher specificity. The
contrast test checks the accent on the button grounds, where it now draws.
Directory's Subscribe button carried the Subscribed tick; it is a plus.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Letting go of a pull removed its note at once and showed nothing else;
the sidebar's scanning spinner is hidden on a phone. With no sign the
check had started, people pulled again, and again. A "Checking for new
items" pill with a spinner now sits under the top bar until the request
is sent and two seconds have passed, and a pull meanwhile does nothing.
It lives outside #list, which a feed's render rebuilds.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The logo moved into the top bar beside the add-feed button (#60). On a
phone that bar is tight: the logo squeezed the search box down to a few
letters, and with no hover there its version tooltip showed nothing.
Below the phone breakpoint it is left out.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Modern's palette was sampled from the 2004 iPodderX icon: a neutral navy,
its screen blue and amber EQ bars. It now takes the new logo's colours,
the dark half from logo-dark.svg (navy ground, #8fc2ea scale, #ff6a1a
needle) and the light half from logo.svg (sky ground, #2f6aa0 scale, the
needle taken down to #c43e00 so white on it clears AA). The pending amber
and the error red moved apart from the needle's orange, and the sign-in
page's copy of the palette follows.
The pages always showed logo.svg, the light variant, even in a dark
theme; logo-dark.svg was never served. It is now, and the app and admin
pages show whichever matches data-mode, dark until the script says light,
as the palette is. The sign-in page, which has no account's theme, picks
by the system's with <picture>.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The logo sat at the top of the feed list with "iPX" written beside it,
and the page showed the version nowhere. It is now in the top bar just
before the feed buttons, alone, and its tooltip names the app and its
version.
The version is filled in by the server as it sends the page, not by
build.mjs: build.rs reruns only when web/ or package-lock.json changes,
so a release that bumped only Cargo.toml would have kept the page naming
the one before.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The 2004 icon is a whole radio on a transparent background and not
square, so the tab icon was padded and iOS painted the home-screen icon
on white. web/logo.svg is the radio's screen alone, its tuning scale and
orange needle, laid out as Apple's app icon guidelines ask: opaque and
full-bleed (the system cuts its own corners), a gradient background and
flat foreground layers with hard edges, no highlights or shadows of its
own, nothing thin enough to vanish at 32px. Each layer is a <g>, ready to
split out for Icon Composer. web/logo-dark.svg is the same layers
recoloured.
favicon.png (128) and apple-touch-icon.png (180) are renders of it. The
pages show it from /logo.svg, served outside the auth layer for the
sign-in page, with an app icon's rounded corners. The 2004 icon stays at
/icon.png for anything outside that links to it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
On a phone every control was outlined, hairlines ruled off the bars, corners were 7-9px and
dialogs were centred cards: a desktop page, shrunk. Now, below 820px and in every theme, controls
are filled and round (40px circles and capsules, pills for groups), the feed's name is a 26px
large title, the tabs are a segmented control, rows are 44px with 17px text and an inset hairline,
the reader's type is 17px, and dialogs are sheets from the bottom. --edge is the one switch for the
outlines, left on for the high-contrast theme and for prefers-contrast:more. Glass's desktop radii
moved into a min-width query, because at their specificity they outranked the phone's shapes, and
on a phone its #51 rim only catches the top edge: all round a small capsule it read as an outline.
Text boxes were 13.5px, and Safari zooms the page in on focus below 16px, so tapping search zoomed
it; they are 16-17px on a phone now.
Nothing read safe-area-inset-top, so opened from the home screen the top bar, the reader's back
button and the drawer's head sat under the Dynamic Island. --safe-t pads them, and the phone's own
top-bar rule, a shorthand, had also been discarding the side insets for the notch in landscape.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
On a phone the reader is fixed over the item list, and the swipe from #49 moved it alone and
faded it to 40%, so the list showed through it and in the strip it uncovered, and again as the
next item slid in from the far side. Now a layer beside the reader, #dpeek, holds what is really
there: the next or previous item, drawn by the same detailHtml the reader uses, with 16px of the
page's background between them; "No more items" past the last; or, swiping right from the
first, a dimmer over the list that lifts as the reader, shadowed along its edge, is drawn off.
On release the swipe carries on from where the finger left it, over 120-250ms by how far is
left, and the neighbour becomes the reader in place; with reduced motion it switches at once.
A touch starting within 14px of the left edge is kept from Safari, which otherwise takes it as
Back and leaves the page mid-swipe. 14px because the back button starts at 16.
Offsets are rounded to whole pixels: at a fractional offset the seam between the reader and its
neighbour drew a stray light line.
The design had the list shift a third of the way across as it is uncovered, as iOS does. #detail
lives inside #shell, and a transform there makes it the containing block for the fixed reader,
so that part is left out; the dimmer and shadow carry it.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The glass surfaces had one 1px highlight along the top, which read as flat. They now have a rim
lit from the top-left and a fainter one on the far edges, as box-shadows, and a sheen from the
top-left corner as a background layer. A pseudo-element would have been the usual way, but the
detail pane, file list and dialogs scroll, and an absolutely placed layer in a scroller scrolls
away with the content.
Refraction was looked at and left out again: bending the live page needs backdrop-filter: url(),
which Firefox and Safari lack, and the WebGL libraries (liquid-glass-js, liquidGL) bend a
snapshot of the page that goes stale on a list that scrolls in its own pane.
The sheen lightens a dark panel under its text, so tests/contrast.js now checks every text colour
on a panel under the sheen at full strength. That capped it at 7% in dark mode; 9% put --faint,
--accent and --bad under AA.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
At a flat 60px, a thumb scrolling slightly on the diagonal moved on to the next item by
accident. A swipe now has to cover a quarter of the reader's width, and never less than 100px,
and the reader follows the finger while it is down, so it is plain before letting go whether it
will move on. It slides off on a swipe and the next item slides in from the other side; a short
one springs back. The CHANGELOG also gets back the [0.8.3] link a stray edit had broken.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
body is a grid of topbar / main / status / player, and nothing in the page
accounted for a display's own intrusions. Mobile Safari hides that by
insetting the layout viewport to the safe area, so the site was fine in a
browser -- but a full-screen shell, the native app or the site added to an
iOS home screen, hands the page the whole display, and the last row landed
under the home indicator with its seek bar and times half cut off.
viewport-fit=cover asks for the whole screen deliberately, and the bars
along the edges now pay for the insets in padding: the bottom for the
indicator, left and right for the notch in landscape. A browser with its
own chrome reports nought and nothing moves.
The padding has to be longhand, and there is a comment saying so, because
the minifier drops the space between a calc() and the value after it in a
shorthand -- padding:7px calc(12px + var(--safe-r))7px ... -- and a browser
then throws the whole declaration away. The bars lost all their padding,
which moved the item list far enough that the pull-to-refresh browser test
stopped finding it; nothing reported an error, and the page still loaded.
buildStyle now fails the build on a calc() run into its neighbour rather
than trusting it.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Translucent panels with backdrop-filter blur and saturation over a soft
coloured wash, light and dark, going solid under prefers-reduced-transparency
and prefers-contrast: more. The sticky filter bar and column headings are
frosted, since the list scrolls under them.
Text on a see-through panel lands on whatever the wash is behind it, so the
palette's hex values alone no longer say whether it clears AA. contrast.js
now samples the wash as the browser composites it on three viewport shapes.
It caught the first light palette at 3.7:1 for faint text, and a tinted
selection that failed everywhere; both were changed.
Left out: SVG displacement-map refraction, which Chromium alone applies to a
backdrop and only on fixed-size shapes.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Each in light and dark. The published palettes missed AA in 19 places,
mostly Solarized and Catppuccin Latte, so each failing colour is moved
the least distance, toward black or white, that clears every pair it is
drawn in. Solarized dark's base0 had to rise to base1 to read on base02,
so its dim sits between base2 and base1 to keep three steps of type.
tests/contrast.js checks every palette against the pairs the page draws,
and a border that matches the ground it sits on. Its first run caught
Classic's links at 3.7:1 on the source list and Modern's faint at 4.3:1
on inputs; both are tuned. A failed toast moves to --panel, since the
error colours are tuned for the page's grounds, not --raise.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Both have nothing to confirm, so their only button was a lone X at the
foot of the card, below the fold of a long Settings card. A dialog with a
confirm keeps Cancel beside it at the bottom, where the pair belongs.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Measured every theme's palette against WCAG AA. The unread badge's count
on its --accent2 fill fell as low as 2.6:1 (Flat Remix light), and the
unread dot with it; each theme's --accent2 is taken down until white on
it clears 4.5. Tags were --warn or --bad on --raise, short of AA in most
light themes, so they are outlined on the row's own ground instead.
Nordic dark had --line equal to --panel2, so bordered buttons on a
panel2 ground drew no edge at all. Classic's selected row left the
row's icon buttons grey on the blue. A zero badge on a selected row was
--raise on --raise and vanished.
login.html never had a doctype or viewport meta, so it rendered in
quirks mode and at desktop width on a phone, and its light palette sat
under data-theme="light", which nothing ever set. It follows
prefers-color-scheme now, signed out having no account to ask.
Dropped the unused log and users icons. The Classic theme's label is
now just "Classic".
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
The scan's events reach everyone, so every browser showed "<feed>: N new" and
"Scanning…" toasts, and refreshed, for everyone's feeds. Now a feed's row, and
its folder's, carries a spinner between feed_start and its done, skip or error;
the list refreshes only for the reader's own feeds; the scan toasts are gone, and
"Downloaded" is said only for a file on screen.
"Check every feed" from the web UI sent a scan of every feed on the server.
Command::Fetch takes an optional `feeds` list -- those feeds and the feeds
inside any OPML among them -- and the web fills it with the asker's
subscriptions. The schedule and the CLI send none, meaning every feed.
Closes#37.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
/admin, with Server, Accounts and Log sections chosen by the URL's hash. The
server sends the page and /admin.js to admins only (anyone else asking for the
page goes back to the app, and the script is 403), and removes the header's link
to it from everyone else's page rather than hiding it. The API keeps refusing
all of it to non-admins as before.
Settings becomes personal: theme, OPML import and export, and the schedule and
download folder to read. The server fields, the Users dialog and the Log dialog
move out of dialogs.ts into admin.ts.
The CSS moves out of index.html into web/app.css, which both pages load as
/app.css?v=<hash>, served immutable like the scripts. The smoke test checks both
pages.
Closes#19.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>